Comments:
- Scales - Slow/fast, alternate
- All forte, big sound
- Make good phrase upwards
- better not to breathe
- catch the high e
- Just to play more with the notes
- Scale is different when you start on a different note
- Swing
- Find the perfect legato, tension, and timing
- If you have something inside, people will feel it
- Feel good when you play
- Strengths and weaknesses
- Play offensively, no doubts
- There's no reason to feel small
Excerpts:
- Figaro -
- Watch standing position - must stand in audition
- watch rushing
- feel in 1
- Watch fingers, quiet
- Listen to the internal phrases
- Drive through the phrase, listening to the line
- Make everything beautiful
- Air goes very quickly
- Just let it go
- Always rolling
- Heavy air on beginning
- Help your body feel the tempo
- Figaro - 2nd solo
- Rounded staccato
- Short, with body
- More air, glue more personality to notes, more intensity
- Take care of the vibrato
- Light and swing
- Follow the line, more direction
- Have joy, have fun
- Tempo needs to be more even
- Use tongue a little more at beginning of notes
- Big spurt of air
- More line
- Ravel - Alborada del Gracioso
- Very soloistic
- Loud/free
- Very extroverted
- Loud A
- Faster grace notes
- Watch finger placement
- So much air!
- Be in the moment, don't know what coming
- Air
- Take more time, slow/quick/slow
- Need big/loud/beautiful reed
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